After spending last fall on the road with Jay-Z, N.E.R.D. and Nappy Roots, 311 are catering their next tour to the more rock side of their fanbase.
The hip-hop- and reggae-influenced quintet has lined up blues jammers G. Love & Special Sauce, piano punks Something Corporate and frat rockers O.A.R. as openers for a summer trek.
The outing kicks off July 15 in Bakersfield, California, and hits mostly amphitheaters, crisscrossing the country until wrapping up September 5 in Santa Barbara, California.
"We always want to make sure our fans know how grateful we are and what a blessing it is to be able to do this, because we have fans that will follow us through thick and thin, whether or not we happen to be on the radio at that time," singer Nick Hexum said. "We just want to give back through putting on as good a show as best we can."
While gathered in their Hive studios recently, 311 said they plan on playing every song from their upcoming Evolver on the summer tour.
"If we push it down people's throats I think people are gonna understand what we're feeling," bassist P-Nut said. "This is one of the most personal albums we've ever made, and I think we're only getting smarter and we're looking to our audience to do the same thing. I think there's a lull in music right now. Hopefully we can influence more bands to look toward being more diverse and breaking that [typical] songwriting mode and have fun and play it as hard as you can."
Evolver, due in late July, is 311's seventh studio album, while this summer marks the band's 10th year together.
"It's better to sell a little bit of records in 10 years than a lot of records in one year, because it's the excitement of the process that keeps us going more than any financial reward or anything," Hexum said. "It's just such a blessing."
311 tour dates, according to the band's management:
•7/15 - Bakersfield, CA @ The Dome (w/ Something Corporate)
•7/17 - Fresno, CA @ Rainbow Ballroom (w/ Something Corporate)
•7/18 - Costa Mesa, CA @ Pacific Amphitheatre (w/ Something Corporate)
•7/19 - Mesa, AZ @ Mesa Amphitheatre (w/ Something Corporate)
•7/21 - Oklahoma City, OK @ Bricktown Event Center (w/ Something Corporate)
•7/24 - Columbus, OH @ PromoWest Pavillion (w/ Something Corporate)
•7/25 - Indianapolis, IN @ Verizon Wireless (w/ O.A.R., Something Corporate)
•7/26 - Pittsburgh, PA @ Heinz Field (Rolling Rock Town Fair IV)
•7/29 - Milwaukee, WI @ Summerfest (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•7/30 - Grand Rapids, MI @ Deltaplex (w/ O.A.R., Something Corporate, DJ P)
•7/31 - Detroit, MI @ Meadowbrook (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/1 - Cleveland, OH @ Tower City Amphitheatre (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/2 - Chicago, IL @ UIC Pavilion (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/4 - Omaha, NE @ Westfair (w/ O.A.R., Something Corporate, DJ P)
•8/5 - Minneapolis, MN @ Target Center (w/ O.A.R., Something Corporate, DJ P)
•8/7 - Kansas City, KS @ Citimart (w/ O.A.R., Something Corporate, DJ P)
•8/8 - St. Louis, MO @ Riverport (w/ O.A.R., Something Corporate, DJ P)
•8/9 - Cincinnati, OH @ Riverbend (w/ O.A.R., Something Corporate, DJ P)
•8/10 - Philadelphia, PA @ Penn's Landing (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/11 - Gilford, NH @ Meadowbrook (w/ O.A.R., Something Corporate, DJ P)
•8/13 - Boston, MA @ Fleet Boston Pavilion (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/15 - Waterloo, NJ @ Waterloo Village (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/16 - Washington, DC @ Meriweather Post (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/17 - Virginia Beach, VA @ Virginia Beach Amphitheatre (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/18 - New York, NY @ Hammerstein Ballroom (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/19 - New York, NY @ Hammerstein Ballroom (w/ Something Corporate, DJ P)
•8/21 - Myrtle Beach, SC @ House of Blues
•8/22 - Atlanta, GA @ Hi-Fi Buys Amphitheatre (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/23 - New Orleans, LA @ UNO Pavilion (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/24 - Houston, TX @ TBA (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/26 - Austin, TX @ Backyard (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/27 - Grand Prairie, TX @ Next Stage (w/ G. Love & Special Sauce, Something Corporate, DJ P)
•8/29 - Englewood, CO @ Fiddler's Green Amphitheater (w/ G. Love & Special Sauce, DJ P)
•8/30 - Salt Lake, UT @ USANA Amphitheatre (w/ G. Love & Special Sauce, DJ P)
•9/1 - San Francisco, CA @ TBA (w/ G. Love & Special Sauce, DJ P)
•9/3 - Los Angeles, CA @ TBA (w/ G. Love & Special Sauce, DJ P)
•9/5 - Santa Barbara, CA @ County Bowl (w/ G. Love & Special Sauce, DJ P)
Monday, December 15, 2003
New 311 Album Aimed at Old-School Fans, 7-Year Olds Alike
NORTH HOLLYWOOD, California — Nick Hexum was at a go-kart track recently when a 7-year-old approached him about his band.
"He was acting all cool and was like, '311, eh. Well, I like your old stuff,' " the singer recalled. "I'm thinking to myself, 'What? When you were like negative 1?"
Hexum and his bandmates of more than a decade — MC/turntablist S.A. Martinez, guitarist Tim Mahoney, bassist P-Nut and drummer Chad Sexton — laugh about the incident, but they also see where the boy is coming from.
While putting the finishing touches on their seventh studio album last week at their own Hive studio, 311 frequently referred to the record as an evolution for the hip-hop- and reggae-influenced rock band, hence the title Evolver. At the same time, though, much was said about drawing from their past.
"We want to go into the future but have the same spirit of adventure that we had in the old days," Hexum said. "There's more new elements, various vintage keyboards and acoustic guitars and different tempos. It's just more experimental, [which is one of the] things that people liked about Transistor or Grassroots — we had the attitude on those albums about just going to the future rather than looking back."
The new release will feature a few melody-driven summer anthems similar to recent singles "Amber" and "I'll Be Here Awhile," but with more of an edge. "It's not like a ballad-y album at all, just a lot of different tempos," Hexum said.
"From Chaos was a great album, but it's time to do something different, and I think we did that really well," P-Nut added. "We really tried to not be afraid of kicking our own ass."
Along with summing up the motivation behind the album, the title Evolver is a play on Revolver, one of the many classic Beatles albums 311 kept in heavy rotation while recording. Two songs in particular are greatly influenced by the Fab Four: "Seems Uncertain," a Mellotron-driven tune Hexum likened to "Strawberry Fields Forever," and "Sometimes Jacks Rule the Realm," which he compared to "Happiness Is a Warm Gun."
"It's more like a little voyage, a little trip in sound," Mahoney said of the latter. "And it covers a lot of different feels. There's acoustic sections. It moves on to electric band sections. It's cool. It's really a unique departure, ... and there's mandolins on it and so much cool organic instruments on it."
"Seems Uncertain" also features acoustic guitars, but a hip-hop beat gives it a modern twist.
"Lyrically, it's just about all of this sort of uncertainty with all this friction and tension in the world and the sort of post-9-11 fear and everything," Hexum explained. "It's just kind of expressing that sort of doubt. It's like, 'What are we gonna do? How is the world gonna move on beyond the predicament that we've gotten in?' And it's definitely different lyrically and musically than any song of ours."
Hexum explores darker topics elsewhere on the album as well. "Beyond the Grey Sky" was written about his best friend in high school who took his own life a year ago. "It's very dynamic," Sexton said. "It starts really soft and then we build and we keep building till it's just, like, this huge orchestra of rock and beautiful harmonies."
Miami dancehall DJ Supa Dups contributed some beat programming and vocal drops on Evolver, primarily on "Crack the Code."
" 'Crack the Code' is like a love song saying that someone that cracks your code is someone that understands you," Hexum said, "like gets through the whole veneer that everyone has up. It's not like a totally happy love song, it's more about the ups and downs that come with and finding someone that gets through all of that stuff."
The group is leaning toward the heavier "Creatures (For a While)" as the first single.
"It's a perfect example of the whole album, just testing our audience just a little bit," P-Nut said. "It's something that you're going to have to get used to. And I think that's such a such a good thing. I think that's what kept us a little bit under the radar for a while, even though we've sold 6 million albums."
Evolver, produced by Ron Saint Germain, is not due until late July, but 311 will debut new songs on a summer tour beginning earlier that month.
"He was acting all cool and was like, '311, eh. Well, I like your old stuff,' " the singer recalled. "I'm thinking to myself, 'What? When you were like negative 1?"
Hexum and his bandmates of more than a decade — MC/turntablist S.A. Martinez, guitarist Tim Mahoney, bassist P-Nut and drummer Chad Sexton — laugh about the incident, but they also see where the boy is coming from.
While putting the finishing touches on their seventh studio album last week at their own Hive studio, 311 frequently referred to the record as an evolution for the hip-hop- and reggae-influenced rock band, hence the title Evolver. At the same time, though, much was said about drawing from their past.
"We want to go into the future but have the same spirit of adventure that we had in the old days," Hexum said. "There's more new elements, various vintage keyboards and acoustic guitars and different tempos. It's just more experimental, [which is one of the] things that people liked about Transistor or Grassroots — we had the attitude on those albums about just going to the future rather than looking back."
The new release will feature a few melody-driven summer anthems similar to recent singles "Amber" and "I'll Be Here Awhile," but with more of an edge. "It's not like a ballad-y album at all, just a lot of different tempos," Hexum said.
"From Chaos was a great album, but it's time to do something different, and I think we did that really well," P-Nut added. "We really tried to not be afraid of kicking our own ass."
Along with summing up the motivation behind the album, the title Evolver is a play on Revolver, one of the many classic Beatles albums 311 kept in heavy rotation while recording. Two songs in particular are greatly influenced by the Fab Four: "Seems Uncertain," a Mellotron-driven tune Hexum likened to "Strawberry Fields Forever," and "Sometimes Jacks Rule the Realm," which he compared to "Happiness Is a Warm Gun."
"It's more like a little voyage, a little trip in sound," Mahoney said of the latter. "And it covers a lot of different feels. There's acoustic sections. It moves on to electric band sections. It's cool. It's really a unique departure, ... and there's mandolins on it and so much cool organic instruments on it."
"Seems Uncertain" also features acoustic guitars, but a hip-hop beat gives it a modern twist.
"Lyrically, it's just about all of this sort of uncertainty with all this friction and tension in the world and the sort of post-9-11 fear and everything," Hexum explained. "It's just kind of expressing that sort of doubt. It's like, 'What are we gonna do? How is the world gonna move on beyond the predicament that we've gotten in?' And it's definitely different lyrically and musically than any song of ours."
Hexum explores darker topics elsewhere on the album as well. "Beyond the Grey Sky" was written about his best friend in high school who took his own life a year ago. "It's very dynamic," Sexton said. "It starts really soft and then we build and we keep building till it's just, like, this huge orchestra of rock and beautiful harmonies."
Miami dancehall DJ Supa Dups contributed some beat programming and vocal drops on Evolver, primarily on "Crack the Code."
" 'Crack the Code' is like a love song saying that someone that cracks your code is someone that understands you," Hexum said, "like gets through the whole veneer that everyone has up. It's not like a totally happy love song, it's more about the ups and downs that come with and finding someone that gets through all of that stuff."
The group is leaning toward the heavier "Creatures (For a While)" as the first single.
"It's a perfect example of the whole album, just testing our audience just a little bit," P-Nut said. "It's something that you're going to have to get used to. And I think that's such a such a good thing. I think that's what kept us a little bit under the radar for a while, even though we've sold 6 million albums."
Evolver, produced by Ron Saint Germain, is not due until late July, but 311 will debut new songs on a summer tour beginning earlier that month.
311 Giving Fans A History Lesson On Unity Tour (MTV)
COSTA MESA, California — As strange as it seems, it's fitting 311 named their summer tour after an album they released independently 12 years ago.
The hip-hop- and reggae-flavored rockers played the same number of songs from Unity at Friday's Pacific Amphitheatre show as from Evolver, which hits stores Tuesday.
And along with "Feels So Good" and "F--- the Bullsh--" — which were later included on 1993's Music (the latter as "Fat Chance") — the second stop on the Unity Tour included three other Music favorites, plus five songs from 1994's Grassroots.
In other words, 311's latest outing is more a celebration of the band's history than a typical supporting trek for a new album. After opening with "Freak Out" and "Lucky," singer Nick Hexum dedicated "Down" to the band's old-school fans, but he might as well have dedicated the whole set.
With a few exceptions, like the perfect outdoor summer-night sing-along "Amber," 311 avoided their most recent albums, From Chaos and Soundsystem, even setting aside hits like "You Wouldn't Believe" and "Come Original."
The enthusiastic audience members, several of whom sported T-shirts from past 311 tours, ate up the set list, dancing in the aisles the same way Hexum and rapper S.A. Martinez were bouncing on their new glossy black custom stage.
With all the nostalgia, fans eagerly welcomed the new songs "Reconsider Everything" and "Creatures (For a While)," especially the latter, a radio hit in Southern California, where the band now lives.
Judging by Friday's show, the new material fits in nicely next to 1995's 311 (a.k.a. the "Blue Album"), which featured 311's biggest hits, "Down" and "All Mixed Up" (see "New 311 Album Aimed At Old-School Fans, 7-Year-Olds Alike").
Another highlight was "Applied Science," which featured a classic rock-inspired drum solo from Chad Sexton. Like 311's last tour, the rest of band joined in on the fun, bringing giant floor toms on the stage for a drumline routine, except this time around they each had cymbals as well.
311 later voyaged fully into the more atmospheric rock of Transistor, jamming through "Running," "Beautiful Disaster," "Rub a Dub" and "Prisoner" as clouds of marijuana smoke filled the air. It was clearly guitarist Tim Mahoney's chance to shine, which he did with subtle solos.
Ending the first set, 311 played "Omaha Stylee," which Hexum dedicated to their hometown (sending a fan in an Eric Crouch jersey into a frenzy), and "Feels So Good," which began as always with Hexum asking bassist P-Nut to "beat that thing."
To kick off the encore, S.A. broke into "All Mixed Up," which he remixed on his hardly used turntables, while the crowd rapped along. And, in what has become a tradition, the show ended with "F--- the Bullsh--," a simple but energetic party anthem.
In the opening slot on Friday's show was Orange County's Something Corporate, who brought fans of their own, including girls holding up "American Idol"-like signs professing their love for the group.
Singer Andrew McMahon proved a captivating performer, pounding his piano and singing passionately like a punk-rock Billy Joel.
With its infectious melody, "I Woke Up in a Car" was the biggest crowd-pleaser, even getting into ears so deep, people were singing it on the walk back to their cars after 311.
The band mostly played songs from its debut, 2002's Leaving Through the Window, but a new song from their upcoming fall album was equally engaging and a bit heavier.
O.A.R. and/or G. Love & Special Sauce are joining the Unity Tour on future dates. 311's next stop is Monday in Oklahoma City.
The hip-hop- and reggae-flavored rockers played the same number of songs from Unity at Friday's Pacific Amphitheatre show as from Evolver, which hits stores Tuesday.
And along with "Feels So Good" and "F--- the Bullsh--" — which were later included on 1993's Music (the latter as "Fat Chance") — the second stop on the Unity Tour included three other Music favorites, plus five songs from 1994's Grassroots.
In other words, 311's latest outing is more a celebration of the band's history than a typical supporting trek for a new album. After opening with "Freak Out" and "Lucky," singer Nick Hexum dedicated "Down" to the band's old-school fans, but he might as well have dedicated the whole set.
With a few exceptions, like the perfect outdoor summer-night sing-along "Amber," 311 avoided their most recent albums, From Chaos and Soundsystem, even setting aside hits like "You Wouldn't Believe" and "Come Original."
The enthusiastic audience members, several of whom sported T-shirts from past 311 tours, ate up the set list, dancing in the aisles the same way Hexum and rapper S.A. Martinez were bouncing on their new glossy black custom stage.
With all the nostalgia, fans eagerly welcomed the new songs "Reconsider Everything" and "Creatures (For a While)," especially the latter, a radio hit in Southern California, where the band now lives.
Judging by Friday's show, the new material fits in nicely next to 1995's 311 (a.k.a. the "Blue Album"), which featured 311's biggest hits, "Down" and "All Mixed Up" (see "New 311 Album Aimed At Old-School Fans, 7-Year-Olds Alike").
Another highlight was "Applied Science," which featured a classic rock-inspired drum solo from Chad Sexton. Like 311's last tour, the rest of band joined in on the fun, bringing giant floor toms on the stage for a drumline routine, except this time around they each had cymbals as well.
311 later voyaged fully into the more atmospheric rock of Transistor, jamming through "Running," "Beautiful Disaster," "Rub a Dub" and "Prisoner" as clouds of marijuana smoke filled the air. It was clearly guitarist Tim Mahoney's chance to shine, which he did with subtle solos.
Ending the first set, 311 played "Omaha Stylee," which Hexum dedicated to their hometown (sending a fan in an Eric Crouch jersey into a frenzy), and "Feels So Good," which began as always with Hexum asking bassist P-Nut to "beat that thing."
To kick off the encore, S.A. broke into "All Mixed Up," which he remixed on his hardly used turntables, while the crowd rapped along. And, in what has become a tradition, the show ended with "F--- the Bullsh--," a simple but energetic party anthem.
In the opening slot on Friday's show was Orange County's Something Corporate, who brought fans of their own, including girls holding up "American Idol"-like signs professing their love for the group.
Singer Andrew McMahon proved a captivating performer, pounding his piano and singing passionately like a punk-rock Billy Joel.
With its infectious melody, "I Woke Up in a Car" was the biggest crowd-pleaser, even getting into ears so deep, people were singing it on the walk back to their cars after 311.
The band mostly played songs from its debut, 2002's Leaving Through the Window, but a new song from their upcoming fall album was equally engaging and a bit heavier.
O.A.R. and/or G. Love & Special Sauce are joining the Unity Tour on future dates. 311's next stop is Monday in Oklahoma City.
311 Move From Suicide To Cure On Next Single; Tour Planned (MTV)
UNIVERSAL CITY, California — 311 didn't expect big things from their latest single.
"We knew 'Beyond the Gray Sky' wasn't the most commercial song in the world," singer Nick Hexum said recently. "It doesn't have a lot of repetition. It's dubby and kind of experimental." So why release it?
"We knew that if it helped some people, that'd be more important than the business side of things," Hexum said. "I got a letter that said, 'I'm in drug rehab and ["Beyond the Gray Sky"] is the only thing that gets me through. I don't want to go on [living], but this song lifts me out of total despair.' "
Hexum wrote the atmospheric track after learning that one of his best friends from high school had taken his own life.
"The message is about hanging in there, because you'll be able to see beyond the gray sky," he explained. "It also deals with my feelings of like, 'Should I have known? Should I have tried to help in some way?' It's something people always go through when there's a loss like that. So we're trying to make a positive thing out of it. You just gotta hang in there, if not for yourself, then for those around you that care about you."
311 are changing gears entirely for their next single, which isn't on Evolver, their seventh and latest studio album (see"New 311 Album Aimed At Old-School Fans, 7-Year-Olds Alike").
The tune is a cover of the Cure's "Love Song" from the new Adam Sandler comedy, "50 First Dates." Sandler, a 311 fan, asked them to contribute an '80s cover with an island vibe, since the movie is set in Hawaii. Hexum also produced some other tracks for the movie, including Jason Mraz's version of Modern English's "I Melt With You," Alien Ant Farm singer Dryden Mitchell's take on the Cure's "Friday I'm in Love" and Seal's rendition of Echo and the Bunnymen's "Lips Like Sugar."
311 and director Mark Kohr (Green Day's "Good Riddance," 311's "Don't Stay Home") recently shot the "Love Song" video in Orange County, California. Cure drummer Lol Tolhurst even has a cameo in the clip, in which 311 perform in a tiki bar.
Expect the song and video to surface in late January; the soundtrack album is due February 3. "50 First Dates," which co-stars Drew Barrymore, opens February 13.
311, meanwhile, will return to the life they like best — touring. The band headlines a trek beginning February 29 in Anaheim, California."When we play our show, it's like there's nowhere else our fans would rather be," Hexum said, "and there's nowhere else we'd rather be.
Everyone's bouncing together and it's like this sort of oneness. There's no question our career's going well when we're out on tour." The new batch of dates leads up to a special March 11 show. For the second year in a row, 311 will celebrate 3-11 Day in New Orleans, where they played 59 songs last year. "We don't wanna try and out-length ourselves," bassist P-Nut said. "We don't want to die. We have many more years left in us."
"Three hours and 11 minutes is plenty for any band, so we'll probably shoot for that," Hexum added. "We're planning certain songs you've never heard before, like maybe the debut of 'Sometimes Jack Rules the Realm,' the last track on the new album."
311 might also pull out "Love Song" and another cover the band recently learned, the Clash's "(White Man) In Hammersmith Palais."
"That's the coolest song ever written. It fits us so well because it's hard driving, then reggae and then melodic," Hexum said. "It talks about being a white guy doing reggae, so it's the perfect Clash song for us to cover."
311 have yet to name an opener for the tour, for which more dates will be announced, but fans can expect something different than in recent months.
"We like to switch it up," Hexum said. "We've gone from hard-rock bands to O.A.R., which is kind of a jam band, to Something Corporate, which is like piano rock. I'd love to have some sort of emo band, like Jimmy Eat World, 'cause our tastes are very diverse and we wanna show our fans new styles. We'd love to have a straight reggae band." After the outing, the band will decide whether to release another single and keep touring or return to their studio, the Hive. "There's definitely singles left on the album, like 'Crack the Code' and 'Give Me a Call,' " Hexum said.
311 tour dates, according to Jive Records:
•2/29 - Anaheim, CA @ The Grove of Anaheim
•3/1 - San Diego, CA @ Remac Auditorium
•3/3 - Las Vegas, NV @ House of Blues
•3/4 - Tucson, AZ @ Rialto Theatre
•3/5 - Albuquerque, NM @ Sunshine Theatre
•3/6 - Las Cruces, NM @ Pan American Center
•3/8 - Wichita, KS @ The Cotillion
•3/9 - Tulsa, OK @ Brady Theater
•3/11 - New Orleans, LA @ UNO Lakefront Arena
"We knew 'Beyond the Gray Sky' wasn't the most commercial song in the world," singer Nick Hexum said recently. "It doesn't have a lot of repetition. It's dubby and kind of experimental." So why release it?
"We knew that if it helped some people, that'd be more important than the business side of things," Hexum said. "I got a letter that said, 'I'm in drug rehab and ["Beyond the Gray Sky"] is the only thing that gets me through. I don't want to go on [living], but this song lifts me out of total despair.' "
Hexum wrote the atmospheric track after learning that one of his best friends from high school had taken his own life.
"The message is about hanging in there, because you'll be able to see beyond the gray sky," he explained. "It also deals with my feelings of like, 'Should I have known? Should I have tried to help in some way?' It's something people always go through when there's a loss like that. So we're trying to make a positive thing out of it. You just gotta hang in there, if not for yourself, then for those around you that care about you."
311 are changing gears entirely for their next single, which isn't on Evolver, their seventh and latest studio album (see"New 311 Album Aimed At Old-School Fans, 7-Year-Olds Alike").
The tune is a cover of the Cure's "Love Song" from the new Adam Sandler comedy, "50 First Dates." Sandler, a 311 fan, asked them to contribute an '80s cover with an island vibe, since the movie is set in Hawaii. Hexum also produced some other tracks for the movie, including Jason Mraz's version of Modern English's "I Melt With You," Alien Ant Farm singer Dryden Mitchell's take on the Cure's "Friday I'm in Love" and Seal's rendition of Echo and the Bunnymen's "Lips Like Sugar."
311 and director Mark Kohr (Green Day's "Good Riddance," 311's "Don't Stay Home") recently shot the "Love Song" video in Orange County, California. Cure drummer Lol Tolhurst even has a cameo in the clip, in which 311 perform in a tiki bar.
Expect the song and video to surface in late January; the soundtrack album is due February 3. "50 First Dates," which co-stars Drew Barrymore, opens February 13.
311, meanwhile, will return to the life they like best — touring. The band headlines a trek beginning February 29 in Anaheim, California."When we play our show, it's like there's nowhere else our fans would rather be," Hexum said, "and there's nowhere else we'd rather be.
Everyone's bouncing together and it's like this sort of oneness. There's no question our career's going well when we're out on tour." The new batch of dates leads up to a special March 11 show. For the second year in a row, 311 will celebrate 3-11 Day in New Orleans, where they played 59 songs last year. "We don't wanna try and out-length ourselves," bassist P-Nut said. "We don't want to die. We have many more years left in us."
"Three hours and 11 minutes is plenty for any band, so we'll probably shoot for that," Hexum added. "We're planning certain songs you've never heard before, like maybe the debut of 'Sometimes Jack Rules the Realm,' the last track on the new album."
311 might also pull out "Love Song" and another cover the band recently learned, the Clash's "(White Man) In Hammersmith Palais."
"That's the coolest song ever written. It fits us so well because it's hard driving, then reggae and then melodic," Hexum said. "It talks about being a white guy doing reggae, so it's the perfect Clash song for us to cover."
311 have yet to name an opener for the tour, for which more dates will be announced, but fans can expect something different than in recent months.
"We like to switch it up," Hexum said. "We've gone from hard-rock bands to O.A.R., which is kind of a jam band, to Something Corporate, which is like piano rock. I'd love to have some sort of emo band, like Jimmy Eat World, 'cause our tastes are very diverse and we wanna show our fans new styles. We'd love to have a straight reggae band." After the outing, the band will decide whether to release another single and keep touring or return to their studio, the Hive. "There's definitely singles left on the album, like 'Crack the Code' and 'Give Me a Call,' " Hexum said.
311 tour dates, according to Jive Records:
•2/29 - Anaheim, CA @ The Grove of Anaheim
•3/1 - San Diego, CA @ Remac Auditorium
•3/3 - Las Vegas, NV @ House of Blues
•3/4 - Tucson, AZ @ Rialto Theatre
•3/5 - Albuquerque, NM @ Sunshine Theatre
•3/6 - Las Cruces, NM @ Pan American Center
•3/8 - Wichita, KS @ The Cotillion
•3/9 - Tulsa, OK @ Brady Theater
•3/11 - New Orleans, LA @ UNO Lakefront Arena
311 'Evolves' With Forthcoming Album (Billboard)
Rock-rap act 311 has slated a July 11 for its seventh studio album, "Evolver." The group reteamed with producer Ron Saint Germain (Bad Brains, Sonic Youth) for the Volcano Records set. He last worked with the band on its self-titled third album, released in 1995 via Capricorn Records.
Shortly before the album's release, the group will kick off a U.S. tour July 15 on the West Coast. Dates for that trek, which will extend into September, will be announced soon. The band's only currently confirmed dates are a July 18 appearance at the Orange County Fair in Costa Mesa, Calif., and a July 26 performance at Rolling Rock Town Fair IV, which will take place at Pittsburgh's Heinz Field. As previously reported, that event will also feature performances by Blink 182, Puddle Of Mudd, Def Leppard, Sum 41, and Trapt.
Recorded at 311's Hive Studios in Los Angeles, "Evolver" features such tracks as "Creatures for a While," "Seems Uncertain," "Beyond the Gray Sky," and "Crack the Code." During regular recording updates posted on the band's official Web site, other songs said to be on the album are "What Do You Do?," "Same Mistake Twice," "Reconsider Everything," "Still Dreaming," "Other Side of Things," "Time is Precious," "Seems Uncertain," and "Don't Dwell." The choice of a single has not yet been announced.
Along with the music, the enhanced CD will feature concert footage, interviews with band members, and a documentary short about the creation of the album's cover. "Evolver" will be the follow-up to the 2001's "From Chaos," which debuted at No. 10 on The Billboard 200.
As previously reported, last month the band posted four previously unreleased tracks on its site. All were instrumentals recorded during sessions for previous albums.
Shortly before the album's release, the group will kick off a U.S. tour July 15 on the West Coast. Dates for that trek, which will extend into September, will be announced soon. The band's only currently confirmed dates are a July 18 appearance at the Orange County Fair in Costa Mesa, Calif., and a July 26 performance at Rolling Rock Town Fair IV, which will take place at Pittsburgh's Heinz Field. As previously reported, that event will also feature performances by Blink 182, Puddle Of Mudd, Def Leppard, Sum 41, and Trapt.
Recorded at 311's Hive Studios in Los Angeles, "Evolver" features such tracks as "Creatures for a While," "Seems Uncertain," "Beyond the Gray Sky," and "Crack the Code." During regular recording updates posted on the band's official Web site, other songs said to be on the album are "What Do You Do?," "Same Mistake Twice," "Reconsider Everything," "Still Dreaming," "Other Side of Things," "Time is Precious," "Seems Uncertain," and "Don't Dwell." The choice of a single has not yet been announced.
Along with the music, the enhanced CD will feature concert footage, interviews with band members, and a documentary short about the creation of the album's cover. "Evolver" will be the follow-up to the 2001's "From Chaos," which debuted at No. 10 on The Billboard 200.
As previously reported, last month the band posted four previously unreleased tracks on its site. All were instrumentals recorded during sessions for previous albums.
311 Loads Evolver for Tour (Billboard)
Modern rock quintet 311 will embark next month on its 41-date summer Unity tour. The outing comes in support of the group's seventh studio album, "Evolver," due July 22 from Volcano Records. The outing is set to kick off July 15 in Bakersfield, Calif., and criss-cross the country before closing Sept. 6 in San Diego.
Opening acts on the tour include Something Corporate, G. Love & Special Sauce, O.A.R. and DJ P. Something Corporate will accompany 311 from the start, through an Aug. 29 date in Denver. G. Love & Special Sauce will join for shows on July 29, July 31, Aug. 1-2 and Aug. 10, before hopping on for good Aug. 13 through the tour's Sept. 5 close. O.A.R. will play dates July 25, July 30, and Aug. 4-11; and DJ P will appear July 29-Sept. 5.
"Evolver" is the band's first album since 2001's "From Chaos," which debuted at No. 10 on The Billboard 200 and has sold 583,000 copies in the U.S., according to Nielsen SoundScan. The group recently completed work on the album at its Hive Studios in Los Angeles with producer Ron St. Germain.
Here are 311's summer tour dates:
July 15: Bakersfield, Calif. (The Dome)
July 17: Fresno, Calif. (Rainbow Ballroom)
July 18: Costa Mesa, Calif. (Orange County Fair)
July 19: Mesa, Ariz. (Mesa Amphitheatre)
July 21: Oklahoma City (Bricktown)
July 22: Des Moines, Iowa (Flags Event Center)
July 24: Columbus, Ohio (PromoWest Pavilion)
July 25: Indianapolis (Verizon Wireless)
July 26: Pittsburgh (Rolling Rock Town Fair IV, Heinz Field)
July 28: Louisville, Ky. (Palace Theatre)
July 29: Milwaukee (Summerfest Grounds)
July 30: Grand Rapids, Mich. (Deltaplex)
July 31: Detroit (Meadowbrook)
Aug. 1: Cleveland (Tower City Amphitheatre)
Aug. 2: Chicago (UIC Pavilion)
Aug. 4: Omaha, Neb. (Westfair)
Aug. 5: Minneapolis (Target Center)
Aug. 7: Kansas City, Mo. (City Market)
Aug. 8: St. Louis (Riverport)
Aug. 9: Cincinnati (Riverbend)
Aug. 10: Philadelphia (Penns Landing)
Aug. 11: Gilford, N.H. (Meadowbrook)
Aug. 13: Boston (Fleet Boston Pavilion)
Aug. 15: Waterloo, N.J. (Waterloo Village)
Aug. 16: Columbia, Md. (Meriweather Post)
Aug. 17: Virginia Beach, Va. (Virginia Beach Amphitheatre)
Aug. 18-19: New York (Hammerstein Ballroom)
Aug. 21: Myrtle Beach, S.C. (House of Blues)
Aug. 22: Atlanta (Hi-Fi Buys Amphitheatre)
Aug. 23: New Orleans (Lakefront Arena)
Aug. 24: Houston (610 Arena)
Aug. 26: Austin, Texas (Backyard)
Aug. 27: Grand Prairie, Texas (Next Stage)
Aug. 29: Denver (Fiddlers Green)
Aug. 30: Salt Lake City (Usana Amphitheatre)
Sept. 1: San Francisco (TBA)
Sept. 3: Los Angeles (TBA)
Sept. 5: Santa Barbara, Calif. (County Bowl)
Sept. 6: San Diego (Gas Lamp Downtown District)
Opening acts on the tour include Something Corporate, G. Love & Special Sauce, O.A.R. and DJ P. Something Corporate will accompany 311 from the start, through an Aug. 29 date in Denver. G. Love & Special Sauce will join for shows on July 29, July 31, Aug. 1-2 and Aug. 10, before hopping on for good Aug. 13 through the tour's Sept. 5 close. O.A.R. will play dates July 25, July 30, and Aug. 4-11; and DJ P will appear July 29-Sept. 5.
"Evolver" is the band's first album since 2001's "From Chaos," which debuted at No. 10 on The Billboard 200 and has sold 583,000 copies in the U.S., according to Nielsen SoundScan. The group recently completed work on the album at its Hive Studios in Los Angeles with producer Ron St. Germain.
Here are 311's summer tour dates:
July 15: Bakersfield, Calif. (The Dome)
July 17: Fresno, Calif. (Rainbow Ballroom)
July 18: Costa Mesa, Calif. (Orange County Fair)
July 19: Mesa, Ariz. (Mesa Amphitheatre)
July 21: Oklahoma City (Bricktown)
July 22: Des Moines, Iowa (Flags Event Center)
July 24: Columbus, Ohio (PromoWest Pavilion)
July 25: Indianapolis (Verizon Wireless)
July 26: Pittsburgh (Rolling Rock Town Fair IV, Heinz Field)
July 28: Louisville, Ky. (Palace Theatre)
July 29: Milwaukee (Summerfest Grounds)
July 30: Grand Rapids, Mich. (Deltaplex)
July 31: Detroit (Meadowbrook)
Aug. 1: Cleveland (Tower City Amphitheatre)
Aug. 2: Chicago (UIC Pavilion)
Aug. 4: Omaha, Neb. (Westfair)
Aug. 5: Minneapolis (Target Center)
Aug. 7: Kansas City, Mo. (City Market)
Aug. 8: St. Louis (Riverport)
Aug. 9: Cincinnati (Riverbend)
Aug. 10: Philadelphia (Penns Landing)
Aug. 11: Gilford, N.H. (Meadowbrook)
Aug. 13: Boston (Fleet Boston Pavilion)
Aug. 15: Waterloo, N.J. (Waterloo Village)
Aug. 16: Columbia, Md. (Meriweather Post)
Aug. 17: Virginia Beach, Va. (Virginia Beach Amphitheatre)
Aug. 18-19: New York (Hammerstein Ballroom)
Aug. 21: Myrtle Beach, S.C. (House of Blues)
Aug. 22: Atlanta (Hi-Fi Buys Amphitheatre)
Aug. 23: New Orleans (Lakefront Arena)
Aug. 24: Houston (610 Arena)
Aug. 26: Austin, Texas (Backyard)
Aug. 27: Grand Prairie, Texas (Next Stage)
Aug. 29: Denver (Fiddlers Green)
Aug. 30: Salt Lake City (Usana Amphitheatre)
Sept. 1: San Francisco (TBA)
Sept. 3: Los Angeles (TBA)
Sept. 5: Santa Barbara, Calif. (County Bowl)
Sept. 6: San Diego (Gas Lamp Downtown District)
311 and friends know how to party (Deseret News, Salt Lake City)
WEST VALLEY CITY — It was a party atmosphere Saturday night at the USANA Amphitheater. Those who didn't get out of town for the holiday weekend were apparently looking for an excuse to cut loose, and the hip-hop/reggae/rock quintet of 311 just happened to be in town.
Party on.
Opening its set with the heavy beat of "Freak Out," 311 had the audience jumping up and down in unison for most of its two-hour set. Especially those in front of the stage, where a small general-admission area was set up for a few hundred fans who took advantage of the space to jump, mosh and body surf all evening.
Lead singer Nick Hexum commented after "Applied Science" that this was the most people jumping in unison the band had seen all tour. The song also featured a drum ensemble with Chad Sexton and the rest of the band that resembled something between a Liberty Park drum circle and a college marching band.
The crowd sang along to such melodic songs as "Amber" and went back to the jumping for "Feels So Good," which ended the first set, and encore songs "Creatures (For a While)," "Down," which was dedicated to old-school fans, and a third with an unprintable title.
Guitarist Tim Mahoney did more headbanging than most of the metal acts that come to town, while P-Nut kept the funky beat with his slap bass. Most of the hip-hop vocals for the evening came courtesy of S.A. Martinez.
Something Corporate opened the show and set the party tone for the evening. Saturday was the last stop on the 311 tour for the punk-pop piano-playing band (think of Ben Folds with an edge), and the 311 road crew didn't hold back on the practical jokes.
Despite pornographic pictures on the speakers, silly string and band members being forced to drink shots after every song . . . all compliments of the road crew . . . they managed to put together a good 40-minute set.
The second openers, G Love and Special Sauce, kept the party going with an hour of blues-rap. "That Ain't Livin', " complete with a jammin' stand-up bass solo, was one of the highlights. G. Love opened his set with "Shooting Hoops" and added some lyrics to pay homage to Karl Malone and John Stockton.
DJ P. from Portland, Ore., kept the beat going between each band with some original mixes of hard rock and rap. Somehow, DJ P. managed to successfully mix Guns N' Roses and LL Cool J, Lynyrd Skynyrd and M.A.R.R.S, and do some record-scratching with Metallica and even Journey.
When you hear "Don't Stop Believin' " played over a booming drum and bass beat right before 311 takes the stage, you know you've been to one heck of a party.
Party on.
Opening its set with the heavy beat of "Freak Out," 311 had the audience jumping up and down in unison for most of its two-hour set. Especially those in front of the stage, where a small general-admission area was set up for a few hundred fans who took advantage of the space to jump, mosh and body surf all evening.
Lead singer Nick Hexum commented after "Applied Science" that this was the most people jumping in unison the band had seen all tour. The song also featured a drum ensemble with Chad Sexton and the rest of the band that resembled something between a Liberty Park drum circle and a college marching band.
The crowd sang along to such melodic songs as "Amber" and went back to the jumping for "Feels So Good," which ended the first set, and encore songs "Creatures (For a While)," "Down," which was dedicated to old-school fans, and a third with an unprintable title.
Guitarist Tim Mahoney did more headbanging than most of the metal acts that come to town, while P-Nut kept the funky beat with his slap bass. Most of the hip-hop vocals for the evening came courtesy of S.A. Martinez.
Something Corporate opened the show and set the party tone for the evening. Saturday was the last stop on the 311 tour for the punk-pop piano-playing band (think of Ben Folds with an edge), and the 311 road crew didn't hold back on the practical jokes.
Despite pornographic pictures on the speakers, silly string and band members being forced to drink shots after every song . . . all compliments of the road crew . . . they managed to put together a good 40-minute set.
The second openers, G Love and Special Sauce, kept the party going with an hour of blues-rap. "That Ain't Livin', " complete with a jammin' stand-up bass solo, was one of the highlights. G. Love opened his set with "Shooting Hoops" and added some lyrics to pay homage to Karl Malone and John Stockton.
DJ P. from Portland, Ore., kept the beat going between each band with some original mixes of hard rock and rap. Somehow, DJ P. managed to successfully mix Guns N' Roses and LL Cool J, Lynyrd Skynyrd and M.A.R.R.S, and do some record-scratching with Metallica and even Journey.
When you hear "Don't Stop Believin' " played over a booming drum and bass beat right before 311 takes the stage, you know you've been to one heck of a party.
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