Tuesday, September 9, 1997
Friday, September 5, 1997
Thursday, September 4, 1997
311 - One of the Best (Observer-Reporter)
When I opened up the O-R on Friday, I was pleased to see a review of Wednesday's 311 concert. My happiness soon faded as I read the article.
First, what does fashion sense of the concertgoers have to do with anything? And while we're talking fashion, Nick Hexum did not come out bare-chested. He came out in a green shirt.
Jeff Yoders then goes on to say that 311 and De La Soul put on strong shows, but then by the end of the review, says just the opposite. Niw I have been to many concerts with more mellow music than 311, and have seen worse mosh pits than Wednesday's.
311 did not play a few of their hits, they played all of them, including "All Mixed Up," "Don't Stay Home," "Homebrew," and "Do You Right." Yoders said that 311's set dragged in the middle, but was regained when they played "Transistor." If I remember correctly, "Transistor" was the third song they played.
In his final paragraphs, he makes reference to the bands trying to act like rebels. Who are they "rebelling" against? 311 advocates the legalization of marajuana. So does Jani Lane of Warrant. (I also attended an Alice Cooper concert. How's that for being a sheep?) Yoders didn't make a point of saying Warrant were trying to act like rebels against something.
Yoder was right about something, kids would be moshing if 311 played Frank Sinatra songs, because if 311 was playing them, you can guarantee that they would rock. His comments about "alternative" albums that aren't really alternative and sell 20 million copies is irrelevant. First, everyone knows that. It all ended with Nirvana. Second, I don't think all five of the 311 albums sold a combined total of 20 million copies.
"Audiences for this type of show are made up of sheep totally devoid of indiviuality." What does this mean? What is "this type of show?" Wasn't he there? I may be dreaming, but I saw a huge variety of people from hippies to real punks, from parents to little kids. I don't know how old Yoders is, but I am 16 years old. You cannot look at someone and decide that they are a drone who will follow anyone and be just a 311 toady. Just because two kids look the same, obviously doesn't mean they ARE the same.
"311 has obviously been listening to record company's orders and placed ticket sells over quality for it's live show." I couldn't disagree more. Bassist P-Nut was interviewed and said that 311 wanted to keep their ticket prices down for this tour. They can't help that Ticketmaster slaps on a $4 service charge on the $20 ticket price. I highly doubt that 311 are concerned with ticket sales. I have been to a lot of concerts, which reflect my variety of musical tastes. 311 was the most energetic, and one of the best concerts I have attended. There was no downtime, because 311 doesn't have slow songs. Just because they don't have giant lemons like U2 doesn't mean the quality of their live show has been comprised in any way. 311 left the stage with as much energy as they came on with.
Nick Hexum didn't say that people were throwing cheese at him, he said people were throwing shoes at him. Why does Yoders think that he's been pushing cheese at us?
First, what does fashion sense of the concertgoers have to do with anything? And while we're talking fashion, Nick Hexum did not come out bare-chested. He came out in a green shirt.
Jeff Yoders then goes on to say that 311 and De La Soul put on strong shows, but then by the end of the review, says just the opposite. Niw I have been to many concerts with more mellow music than 311, and have seen worse mosh pits than Wednesday's.
311 did not play a few of their hits, they played all of them, including "All Mixed Up," "Don't Stay Home," "Homebrew," and "Do You Right." Yoders said that 311's set dragged in the middle, but was regained when they played "Transistor." If I remember correctly, "Transistor" was the third song they played.
In his final paragraphs, he makes reference to the bands trying to act like rebels. Who are they "rebelling" against? 311 advocates the legalization of marajuana. So does Jani Lane of Warrant. (I also attended an Alice Cooper concert. How's that for being a sheep?) Yoders didn't make a point of saying Warrant were trying to act like rebels against something.
Yoder was right about something, kids would be moshing if 311 played Frank Sinatra songs, because if 311 was playing them, you can guarantee that they would rock. His comments about "alternative" albums that aren't really alternative and sell 20 million copies is irrelevant. First, everyone knows that. It all ended with Nirvana. Second, I don't think all five of the 311 albums sold a combined total of 20 million copies.
"Audiences for this type of show are made up of sheep totally devoid of indiviuality." What does this mean? What is "this type of show?" Wasn't he there? I may be dreaming, but I saw a huge variety of people from hippies to real punks, from parents to little kids. I don't know how old Yoders is, but I am 16 years old. You cannot look at someone and decide that they are a drone who will follow anyone and be just a 311 toady. Just because two kids look the same, obviously doesn't mean they ARE the same.
"311 has obviously been listening to record company's orders and placed ticket sells over quality for it's live show." I couldn't disagree more. Bassist P-Nut was interviewed and said that 311 wanted to keep their ticket prices down for this tour. They can't help that Ticketmaster slaps on a $4 service charge on the $20 ticket price. I highly doubt that 311 are concerned with ticket sales. I have been to a lot of concerts, which reflect my variety of musical tastes. 311 was the most energetic, and one of the best concerts I have attended. There was no downtime, because 311 doesn't have slow songs. Just because they don't have giant lemons like U2 doesn't mean the quality of their live show has been comprised in any way. 311 left the stage with as much energy as they came on with.
Nick Hexum didn't say that people were throwing cheese at him, he said people were throwing shoes at him. Why does Yoders think that he's been pushing cheese at us?
Thursday, August 28, 1997
Variety provides plenty of spice at concert by 311 (Pittsburgh Post-Gazette)
It's a tribute to just how trendy the hybridazation of pop has become that a band like 311 can draw on as many as four or five genres at once and comes away sounding exactly the way you expect a commercial alternative rock band to sound in an age of one world, one music, one record collection.
They hit the stage rapping to heavy guitars last night at the Coca-Cola Star Lake Ampitheatre, treating the crowd of 9,849 to a block of "Hive", "Freak Out", and "Misdirected Hostility".
It was all Red Hot Chili Peppers without an actual tune to hang a groove on until they dipped into their title track from their latest effort, "Transistor." It's got an odd beat that you can't really dance to (at least, not at first), but the song is a well-deserved hit boasting some of the band's most accessible hooks, from the opening riff to the slow reggae ending.
It's hard to imagine Nick Hexum, a white guy, pick up and Jamacian accent from parents and friends growing up in suburban Nebraska. Still, it was pretty effective for putting the newer, more reggae-inspired material over. He credits the Clash with having turning him to reggae as a child, and it showed on the two most intriguing cuts they played from the new album, "Light Years" and "Prisoner."
"All Mixed Up", a standout from the band's self-titled breakthrough, built from a Red Hot Chili Peppers funk-guitar groove to a lazy feel-good chorus as a disco ball dropped from the ceiling and splashed the crowd with streams of light. A heavier hit from their last album, "Down," drew the biggest response of the evening.
The set was a mix of hip-hop, metal, disco, funk, and arena rock (on the frum solo anyway). There was even a point at which the guitarist, Timothy J. Mahoney, appeared to be channeling Jerry Gacria. There wasn't a whole lotta soloing going on, though Mahoney and Hexum did combine for a cool-twin guitar lead on another reggae-cut from the new one, "Beautiful Disaster."
Hexum didn't really have much to say, but when he talked, he knew just how to whip the crowd into a frenzy, inviting them all to jump up to the beat together.
De La Soul, appearently one of the few acts in rap to care if you understand more than a handful of words at a concert, opened the show with a set that took the 311 crowd on a pyschedelic trip from the trio's 1989 Top 40 single, "Me, Myself, and I" to their latest album, "Stakes is High."
At times they sang, but mostly they rapped about ego trips, celluar phones, and vibrations.
They hit the stage rapping to heavy guitars last night at the Coca-Cola Star Lake Ampitheatre, treating the crowd of 9,849 to a block of "Hive", "Freak Out", and "Misdirected Hostility".
It was all Red Hot Chili Peppers without an actual tune to hang a groove on until they dipped into their title track from their latest effort, "Transistor." It's got an odd beat that you can't really dance to (at least, not at first), but the song is a well-deserved hit boasting some of the band's most accessible hooks, from the opening riff to the slow reggae ending.
It's hard to imagine Nick Hexum, a white guy, pick up and Jamacian accent from parents and friends growing up in suburban Nebraska. Still, it was pretty effective for putting the newer, more reggae-inspired material over. He credits the Clash with having turning him to reggae as a child, and it showed on the two most intriguing cuts they played from the new album, "Light Years" and "Prisoner."
"All Mixed Up", a standout from the band's self-titled breakthrough, built from a Red Hot Chili Peppers funk-guitar groove to a lazy feel-good chorus as a disco ball dropped from the ceiling and splashed the crowd with streams of light. A heavier hit from their last album, "Down," drew the biggest response of the evening.
The set was a mix of hip-hop, metal, disco, funk, and arena rock (on the frum solo anyway). There was even a point at which the guitarist, Timothy J. Mahoney, appeared to be channeling Jerry Gacria. There wasn't a whole lotta soloing going on, though Mahoney and Hexum did combine for a cool-twin guitar lead on another reggae-cut from the new one, "Beautiful Disaster."
Hexum didn't really have much to say, but when he talked, he knew just how to whip the crowd into a frenzy, inviting them all to jump up to the beat together.
De La Soul, appearently one of the few acts in rap to care if you understand more than a handful of words at a concert, opened the show with a set that took the 311 crowd on a pyschedelic trip from the trio's 1989 Top 40 single, "Me, Myself, and I" to their latest album, "Stakes is High."
At times they sang, but mostly they rapped about ego trips, celluar phones, and vibrations.
Friday, August 22, 1997
Rock Band 311 Now Deals in Big Numbers (Star News)
Want to make a record with 311? Get ready to work.
Platinum-selling quintet likes to do things big. Like cut 30 songs this spring for it's new disk, Transistor. The band considered even more tracks before holding itself to 21, about double the number of songs on the average rock album, and clocking in at 65 minutes.
"We didn't want it to be too long." cracked guitarist Tim Mahoney. "We didn't want the listener to be taxed or feel like they're embarking on a mission."
No fear. Chances are fans will take all the songs they can get.
Recent times have been good for 311: After toiling on a grass roots circuit for five years, the Nebraska-bred band broke through with two sinewy radio singles, Down and All Mixed Up, pushing it's self-titled album to triple-platinum status. High-profile slots on skate and surf Warped Tour and the earth-rock H.O.R.D.E. tours fermented the brew. Now the band - including vocalist Nick Hexum, drummer Chad Sexton, bassist P-Nut, and vocalist-scratcher SA Martinezis - is headlining a tour all on it's own.
Mr. Mahoney said the long, grinding road helped ease a lot of the pressure that accompanies the follow-up to a winner like 311.
"We've developed over the years in a way that so long as we're writing and creating music that's important to us, our fans tend to follow us." He said. "If there was any pressure, it was pressure on ourselves to make a good record. There was no pressure from the recording company to have another Down."
Mr. Mahoney also knows the dangers that lie in rising to the top in the 90's, when information overload can kill a band as quickly as it propels it.
"Nowadays, there's so much more to being a band, with all the big media. You can see bands much more easily, and the focus isn't always 100 percent on the music," he said. "Part of rock 'n' roll is all the stuff that goes with it, but the foundation is music. If you don't have good music, and can't perform live, it's gonna sink."
So Mr. Mahoney flinches at letters from fans who toss up the requisite, knee-jerk "selling out" gibes.
"When people say that, it has nothing to do with the music," he said. "I can understand why they're saying that, but at the same time, we never been about glamour or being a big fancy rock band. As far as role models, we look at bands like Grateful Dead, playing 30 years in from of 20,000 people a night. That's a great thing to shoot for."
Anyhow, it's not like there aren't any benefits to scoring pole position in the rock race.
"It seemed like a natural step to have more mainstream sucess, and it got our foot in the door to radio and MTV," said Mr. Mahoney, "It allowed us to release Transistor as our first single, which is kinda weird for radio programming, with reggae on there at the end and all. If we hadn't had sucess, the radio may not have played a song like this."
Platinum-selling quintet likes to do things big. Like cut 30 songs this spring for it's new disk, Transistor. The band considered even more tracks before holding itself to 21, about double the number of songs on the average rock album, and clocking in at 65 minutes.
"We didn't want it to be too long." cracked guitarist Tim Mahoney. "We didn't want the listener to be taxed or feel like they're embarking on a mission."
No fear. Chances are fans will take all the songs they can get.
Recent times have been good for 311: After toiling on a grass roots circuit for five years, the Nebraska-bred band broke through with two sinewy radio singles, Down and All Mixed Up, pushing it's self-titled album to triple-platinum status. High-profile slots on skate and surf Warped Tour and the earth-rock H.O.R.D.E. tours fermented the brew. Now the band - including vocalist Nick Hexum, drummer Chad Sexton, bassist P-Nut, and vocalist-scratcher SA Martinezis - is headlining a tour all on it's own.
Mr. Mahoney said the long, grinding road helped ease a lot of the pressure that accompanies the follow-up to a winner like 311.
"We've developed over the years in a way that so long as we're writing and creating music that's important to us, our fans tend to follow us." He said. "If there was any pressure, it was pressure on ourselves to make a good record. There was no pressure from the recording company to have another Down."
Mr. Mahoney also knows the dangers that lie in rising to the top in the 90's, when information overload can kill a band as quickly as it propels it.
"Nowadays, there's so much more to being a band, with all the big media. You can see bands much more easily, and the focus isn't always 100 percent on the music," he said. "Part of rock 'n' roll is all the stuff that goes with it, but the foundation is music. If you don't have good music, and can't perform live, it's gonna sink."
So Mr. Mahoney flinches at letters from fans who toss up the requisite, knee-jerk "selling out" gibes.
"When people say that, it has nothing to do with the music," he said. "I can understand why they're saying that, but at the same time, we never been about glamour or being a big fancy rock band. As far as role models, we look at bands like Grateful Dead, playing 30 years in from of 20,000 people a night. That's a great thing to shoot for."
Anyhow, it's not like there aren't any benefits to scoring pole position in the rock race.
"It seemed like a natural step to have more mainstream sucess, and it got our foot in the door to radio and MTV," said Mr. Mahoney, "It allowed us to release Transistor as our first single, which is kinda weird for radio programming, with reggae on there at the end and all. If we hadn't had sucess, the radio may not have played a song like this."
Sunday, August 17, 1997
Thursday, August 14, 1997
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